Analyze the way Hardy presents the heath dwellers in the novel Fairway, the Cantles, Humphrey, Sam, etc. Include such things as personality, occupation, topics of conversation, and opinions of life and people. Find some of the superstitions the heath dwellers believe in, and explain what these reveal about them and their view of life.
A Guide and Style Sheet, 7th edn. Show how Hardy employs moral, mental, and emotional conflict in the novel to create suspense. Discuss in depth at least ONE specific example of each type of conflict.
Consider utilizing such concepts as hamartia, peripeteia, hubris, nemesis, anagnorisis, catharsis, and social status. References to literature, art, the Bible, and the Classics abound in this novel.
Demonstrate by specific reference to THREE such allusions how Thomas Hardy employed his wide reading to add depth and universal significance to his story of the rise and fall of a semi-literate hay-trusser.
Throughout the novel, but especially in Lucetta's dilemma as to which of her suitors to marry, the character who stands for Victorian moral proprieties is Elizabeth-Jane Newson. What is ironic about Hardy's making her judgments socially and morally representative of Victorian society?
Why does the reader trust her judgment? How is she, rather than Henchard, the moral centre of the novel? In a sense, each of Hardy's major novels is an anthropological document about a rapidly disappearing culture, that of rural, pre-industrial "Wessex.
To what extent are the novel's incidents determined by coincidence and to what extent by character? Determine which is the more powerful force in the plot. Compare the customers, atmospheres, and narrative functions of the novel's three inns. Focus on why important events occur in these inns.
How does each of the following elements determine the structure of the novel? Elizabeth-Jane has been termed "prudish," "inhibited," and "morally rigid. Discuss the effectiveness and functions of her characterization in the novel. Pinion, A Hardy Companion: Discuss the character of King Lear in Shakespeare's tragedy as a possible model for Henchard.
Discuss the influence of the characters and situations in the biblical story on Hardy's characterization of the Henchard-Farfrae relationship.
To what extent do the town of Casterbridge and its citizenry serve as more than mere "local colour" for the novel? Consider the various uses makes of such settings as The Ring and such minor characters as Mrs.
Determine, perhaps with reference to several plays, whether this novel is a tragedy or a melodrama. Be sure to delineate the conventions associated with each dramatic form and define the terms "tragedy" and "melodrama.
Hardy felt that in terms of construction "The whole secret of fiction. The writer who knows exactly how exceptional, and how non-exceptional, his events should be made, possesses the key to the art.
Defoe to Conrad observes that "The world, as pictured by Hardy, is a place of disaster where sinister powers are at work to thwart man. The evil outside man, in Hardy's view, is greater than the evil in man" Determine whether the novel The Mayor of Casterbridge may be regarded as a tragedy in the Aristotelian sense, possibly by comparing it to such "established" or "traditional" tragedies as Oedipus the King, Antigone, Hamlet, and Macbeth.
Deconstruct the text of the novel The Mayor of Casterbridge in terms of plausibility. In other words, how realistic are the settings and characters, and how realistic is the plot? How dependent is it upon coincidence?
How does the novel The Mayor of Casterbridge cut across the boundaries of historical novel, romance, and tragedy? Compare the novel The Mayor of Casterbridge to Hardy's "ballad tragedy" of "The Trampwoman's Tragedy" in terms of the effects of causality of character hamartia. In other words, are the downfalls of Henchard and the Trampwoman attributable largely to coincidence, or do factors other than circumstance — especially the protagonists themselves — play a significant part in the sequence of events that lead to the protagonists' destructions?
Although Hardy uses the omniscient narrative point-of-view, for which characters does he lapse into the limited omniscient, and why? How does he employ point of view to generate sympathy, irony, and suspense in The Mayor of Casterbridge?
Your topic, should you choose to sign up for it, is to critique ONE of the following synopses, pointing out its strengths and deficiencies, particularly with respect to plot and character. The Mayor of Casterbridge is, from beginning to end, the story of Michael Henchard, a skilled farm laborer who, in a drunken rage, sells his young wife, along with their infant child, to a passing sailor.
Most of the novel takes place eighteen to twenty years after this event. When the sailor is reported lost at sea, the cast-off wife and now-grown daughter set out to find Michael, who has become an affluent businessman and the mayor of Casterbridge.[The following essay topics were created for Professor Allingham's English course, which requires a term paper of to 3, words.
These essays have to conform in every respect to MLA Style, as given, for example, by Kelley Griffith in Writing Essays about Literature: A Guide and Style Sheet, 7th edn.(), pp. ]. Enter Thomas Hardy. Enter Thomas Hardy, Alfred Lord Tennyson, Robert Browning, Gerard Manley Hopkins and William Blake.
The poets are seated around a small table in a crowded and agitated Chinese restaurant, at the heart of Texas.
Hi there, would you like to get such a paper? How about receiving a customized one? Check it out. Study Guide for The Convergence of the Twain.
The Convergence of the Twain study guide contains a biography of Thomas Hardy, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Question 2 Overview Students were asked to read carefully a passage from Thomas Hardy’s 19 th-century novel The Mayor of Casterbridge and then write an essay in which they used literary elements such as tone, word choice, and.
‘Afterwards,’ by Thomas Hardy, is a poem that questions the way that people will look upon the narrator after his death.
It centre’s around the idea of ‘noticing things,’ showing the narrators precision and the ambivalence of his neighbours.